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fishnet cinema
About
Opera Glasses
Magnifying Cinema
White Girls, ‘Bitter’ Black Women, and Save the Last Dance
The Problem with Female-Led Superhero Films Has Always Been Men
“mother!” – 5 Things to Consider
IT’s All Good (For the Most Part)
Bright and the Failure of “Color-blind” Narratives
The Moralistic Mistakes of Trainwreck
Jennifer Jason Leigh’s Legacy of Longing
Magnifying TV
History in a Cell: A Look Back at WWE’s Historic 2016 Main Event
Beyonce, the Grammys and The Stigma of Black Motherhood
Remembering SpongeBob and Looking To the Future
Colorism, Christian Misogynoir and Chewing Gum
The Problem with Apu: A Great Start to an Overdue Conversation
I Love Transparent, But It Should End
Cinema
Reviews
Classic Cinema: Gaslight (1944)
The Florida Project
A Wrinkle In Time
Review: Beast (2018)
Review: Support the Girls
TIFF Review: Vita & Virginia
Review: The New Romantic
Best and Worst
The 10 Best Films of 2016
The 10 Worst Films of 2016
The 10 Best Films of 2017
The 10 Worst Films of 2017
Television
Girls: “American Bitch”
Facebook Watch has a winner with ‘Sorry For Your Loss’
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review
Review: No Ordinary Love (2019)
review
NYFF Review: Her Socialist Smile
review
Fantasia Fest 2020: Survival Skills and The Five Rules of Success Perfectly Mirror Our World
review
BlackStar Film Festival 2020: A Reflection
review
Review: She Dies Tomorrow
review
NYFF Review: Pain & Glory
review
TIFF Review: Instinct
review
TIFF Review: Atlantics & Flatland
review
TIFF Review: Sea Fever
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